It is this success, this real fact, which annoys many contemporary ideologues of all tendencies, but whose exclusivism and fanaticism are quite identical to those of the Catholicism and, more generally, monotheistic religions during previous centuries.- The Humanist iconography inspired by Greek and Roman antiquity is also in decline.The goddesses and nymphs of antiquity are much less numerous. La femme n'est plus déesse ou nymphe, seulement mortelle ordinaire, même pas maîtresse des Dieux, seulement femme quotidienne. Il a pas seulement des aspects négatifs. Precisely because no ideology, sacred or profane, is absolutely dominant, can not completely govern European societies while they all aspire to the exclusivity of domination over the minds of peoples. La civilisation chinoise est plus ambivalente, mais la peinture des lettrés chinois peint l'homme comme "une petite chose" dans la Nature. Du moins en Occident, car au niveau des élites de la pensée la conception de la nécessaire multiplicité des chemins vers la Vérité Unique est très ancienne en Extrême Orient. De 1500 à 1800 environ3° La femme dans la peinture des Pays Bas protestants au 17è siècle4° La femme dans peinture de l'Europe idéologiquement plurielle du 19è siècle 1800-1950 environ5° La femme dans l'Art Contemporain Officiel 1950...De 1800 à 1950 c'est, en dates larges, la période de l'Art Moderne. So this obese universe with its clusters of galaxies, its voracious black holes, its dark matter, is included in the infinite which can only be one simple straight line, one and the same thing. - A l'inverse des procédés impressionnistes qui cultivent l'art du flou, la femme peut être "cloisonnée", sa silhouette, plus ou moins plate, est fermement dessinée, limitée strictement par le trait du pinceau. After German bombers supporting Francisco Franco's Nationalist forces carried out a devastating aerial attack on the Basque town of Guernica on April 26, 1937, Picasso, outraged by the bombing and the inhumanity of war, painted " Guernica." No monolithic quality of European thinking at that time that goes from 1815 to 1940 in large dates.Consequence: No monolithism of the European Art, particularly in painting.This is what Aude de Kerros notes in his book "The imposture of contemporary art": "the creation in Paris is defined as autonomous.The artists can be recognized and legitimized outside the recognition of main sponsors , the State and the Church, and the criteria of the Academy ".We must only specify that the cause of this situation is the diversity of ideologies present, and that this freedom is not only Parisian, even if Paris is indeed the great center of inspiration for Modern Art, this freedom and diversity are European.The image of the woman is therefore throughout this period of the Modern Art of extreme diversity both thematically and stylistically. The artistic manifestation of Picasso's improved spirits was the introduction of warmer colors—including beiges, pinks and reds—in what is known as his " Rose Period" (1904-06). La caractérisation psychologique de cette femme est aussi réduite. As an abstract landscape is no longer a landscape.

A la fin de la période, le laid et l'absurde, caractéristiques de l'art contemporain officiel, commencent à poindre, mais sans être encore systématiques.
In France this style of painting is, for this period, said academic and is called by his opponents, pejoratively, "firefighter art". "Le peuple élu" chez les chrétiens et les musulmans n'appartient pas à une race ou à des descendants par la mère de tribus privilégiées. Briefly, there were three queens in the country: Mary; her daughter-in-law, Queen Elizabeth The Queen Mother; and Elizabeth II.Princess Victoria Mary ("May") of Teck was born on 26 May 1867 at Kensington Palace, London.