So the system is clear and it makes me feel safe. You can challenge it but you should listen to it. She was still a child and already very keen to sing. But it was canceled.

View Elsa Dreisig's profile on Operabase, the reference for opera performances around the world. Still, I feel that I made the right decision in becoming a singer. There are a lot of great singers who sang her and I admire and respect them. The information on the site is compiled in good faith from published opera house information. Of course, life is full of surprises, but I’ve never said, “wow, is this the life I am living?” I know what it is. When I am expressing myself on stage, I am the character I’m playing. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. That would be terrible for me and the other singers since it is such a wonderful production and we are so happy to be a part of it.ED: I think it’s really important that Salzburg had the courage to run the festival this year. They‘ve shown that it is possible and that culture is necessary at this time. From the moment you are on stage, you are naked. Elsa Dreisig is one of the bright stars of the opera world slowly building an international career. At the young age of 28, the soprano has already conquered the Berlin State Opera, the Zurich Opera, and the Opéra de Paris; she is set to make her Royal Opera House debut this season. However, as was the case with most plans in 2020, COVID-19 canceled out that possibility.

I was offered a chance to debut the role that I had already prepared but had never sung on stage. But I didn’t care, because I knew I couldn’t live differently. During rehearsals, this group is acting, touching, speaking to each other closely and there are no restrictions. I observe and listen to what is happening. Mozart wrote the music to the story and the director has to be honest with the music and libretto. Every performance is stressful and demanding. I learn a lot from other artists I admire, singers, painters, and writers. Culture is not only for educated people. As an ensemble member of the Berlin State, she has sung such important roles as Pamina in “The Magic … Biographie.

My first concern is singing, preparing roles, and working on my technique. So the joy overshadows all fears.ED: The festival’s safety plan works well. You had to be a friend or a journalist or work in opera. Tenor René Barbera and sopranos Elsa Dreisig and Joyce El-Khoury have become the organization’s newest ambassadors. I think it is dangerous for a musician to focus solely on singing. People sing foreign languages and there is a lot to follow. I will try to do Fiordiligi differently, but for a start, I can say that she is clever.OW: I am still searching for my favorite interpretation. She was a member of Berlin State Opera Studio 2015–17.

During this time she sang Pamina and Euridice (Dreisig has performed in concert with the Berlin State Opera (Rossini’s Production photo of The Magic Flute, The Royal OperaElsa Dreisig as Pamina in The Magic Flute, The Royal OperaElsa Dreisig as Pamina and Vito Priante as Papageno in The Magic Flute, The Royal OperaElsa Dreisig as Pamina and Vito Priante as Papageno in The Magic Flute, The Royal OperaElsa Dreisig as Pamina in The Magic Flute, The Royal OperaElsa Dreisig as Pamina with the Three Boys in The Magic Flute, The Royal OperaElsa Dreisig as Pamina in The Magic Flute, The Royal OperaVito Priante as Papageno and Elsa Dreisig as Pamina in The Magic Flute, The Royal OperaAndreas Bauer Kanabas as Sarastro and Elsa Dreisig as Pamina in The Magic Flute, The Royal OperaProduction photo of The Magic Flute, The Royal OperaElsa Dreisig as Pamina and Rodell Rosel as Monostatos in The Magic Flute, The Royal OperaBenjamin Hulett as Tamino and Elsa Dreisig as Pamina in The Magic Flute, The Royal OperaVito Priante as Papageno and Elsa Dreisig as Pamina in The Magic Flute, The Royal OperaElsa Dreisig as Pamina and Rodell Rosel as Monostatos in The Magic Flute, The Royal Opera


That is not the case.I think it is important to know that opera is a difficult artform.

Before you couldn’t just have a conversation with Maria Callas. It is not always easy to understand from the first experience. There is so much that we have no power over. She now s I love singing opera, concerts, and Lieder. French-Danish soprano Elsa Dreisig makes her Royal Opera debut in the 2019/20 Season as Pamina (Die Zauberflöte).Dreisig studied singing at the Conservatoire National Supérieur de Musique, Paris, and at the Hochschule für Musik in Leipzig. You have to be aware of who you are, where you came from, and who you want to be. I hope it will work.ED: No, of course not. It gives you energy and you feel full of emotion.ED: When the director is good, it aways aligns. Pamina Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775) Dreisig studied singing at the Conservatoire National Supérieur de Musique, Paris, and at the Hochschule für Musik in Leipzig. Use the New & Rare listing to find the more unusual works, the rarities and the world premieres.
However, as was the case with most plans in 2020, COVID-19 canceled out that possibility.

So I put my all in every performance because I want to feel that I have bettered myself in some way.ED: Of course “Cosi Fan Tutte” is challenging.